4 Impromptus, D.935 (Op.142)

Impromptu · Op. 142

Franz Schubert 1797–1828
Impromptu
Form
Op. 142
Catalogue
Score
First page of 4 Impromptus, D.935 (Op.142)

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Themes & character
Symphonic scope·Theme and variations·Late Schubert·Unified design

At a glance

Catalogue
Op. 142
Form
Impromptu

Movements

1
Allegro moderatoF minor

A dramatic unison opening gesture unfolds into music of real scope and drama.

2
AllegrettoA-flat major

A gentle, songlike movement, tender and unhurried.

3
Andante: Theme and VariationsB-flat major

Five variations on a melody Schubert had already used in his incidental music to Rosamunde.

4
Allegro scherzandoF minor

A fast, dance-like finale with a Hungarian-tinged central episode.

About the piece

The second of Schubert's two sets of four impromptus, composed in the same year as D.899, 1827, but published only in 1839, over a decade after his death. Schumann, again an early champion, felt they formed a sonata in all but name. The set includes the much loved theme and variations in B-flat major, a melody so gentle it seems almost improvised, alongside music of real drama and reach.

The composer

Franz Schubert
Franz Schubert
1797–1828

Franz Peter Schubert was an Austrian composer of the late Classical and early Romantic eras. He was immensely prolific despite living a short life, leaving behind a vast oeuvre of more than 1,000 compositions, including over 600 Lieder and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Among these are the songs "Gretchen am Spinnrade", "Erlkönig" and "Ave Maria"; the Trout Quintet; the Symphony No. 8 in B minor (Unfinished); the Symphony No. 9 in C major ; the String Quartet No. 14 in D minor ; the String Quintet in C major; the Impromptus for solo piano; the last three piano sonatas; the Fantasia in F minor for piano four hands; the incidental music to the play Rosamunde; the song cycles Die schöne Müllerin and Winterreise; and the song collection Schwanengesang.

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